Archive for film

In Rain and Sun with a Mamiya 7II

Posted in black & white, film, penarth, photography, Uncategorized with tags , , , , , , , , , , on November 3, 2017 by yammerman

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I made a visit to West Wales where the stereotype that it would rain the whole time was confirmed by plumes of spray on the motor-way and low cloud pressing down on the hills.  I patiently followed a cement mixer along the winding country roads for many a mile, hypnotised by its slowly turning drum as the rain continued to fall.  I’d come to visit a friend in Cardigan and mount a photo expedition with my Mamiya 7II.  We dined on Shepherd’s Pie and red wine that night; a sound preparation it turns out for the next day and a wet and windy Pentre Ifan.

The following morning, the BBC Weather app normally so unreliable proved accurate as their picture of a cloud with two drops of rain could be confirmed by a drawing back of the curtain.  But a couple of eternal optimists like our good selves were not to be discouraged by the predictions of a supercomputer and so we found ourselves leaning into the wind and rain, my Mamiya 7II wrapped in a plastic bag.

One thing I can confirm is that the ancients did not erect these stones for the purpose of shelter although, when combined with a decently placed umbrella, you can change a 120 film with reasonable speed.  Unfortunately it does appear that you lose the film you take out at this point and it has not as yet turned up.  An enquiry into who was at fault in this matter is yet to be convened.

I normally don’t wander about in the rain with a camera so that may explain why some pretty basic stuff becomes something of a challenge.  Taking the lens cap off and focusing, it turns out, are somewhat essential to photography even when you are trying to keep the damn camera dry.

The ancient gods smiled upon us for our efforts and the cloud base did lift enough that we could see the coast from our lofty position.  We then visited the beach north of the river at Parrog, where the remnant of Storm Brian had left seaweed in great quantities giving the appearance that it was making an attempt to become a land based creature.  It didn’t appear to be raining but the air was full of water, pleasantly warm while clouds hung upon the higher ground.  I imagine in summer it would prove to be rather idyllic. We breakfasted late or lunched early in the Vic North Cafe an establishment of some pedigree and highly recommended.

Then next day as I drove home the autumn sun shone, mist hung in the valleys and the mirth of the photographic gods could be heard echoing through the hills.

I still had 5 shots left in the camera and so, on my return to Penarth on a completely different kind of autumn day, I finished the roll.  I’d processed the two rolls of HP5+ in Ilford HC 1/31 @20 degrees for 6 mins before remembering there must be a third roll I’ve misplaced.  Gratification delayed for an eternity I fear and possibly the greatest images taken but never processed, I like to think.

In a radical move I tweaked them in Lightroom using a colour preset.

 

 

A Walk with a Mamiya 7 MkII

Posted in black & white, film, penarth, photography, Uncategorized with tags , , , , , , , , , on September 13, 2017 by yammerman

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The last days of summer are upon us and in a break from the everyday 35mm I took out my Mamiya 7 MkII with its 80mm lens. Only ten frames of 6×7 on a roll of 120 generate a feeling you need to make every frame count but on a sleepy afternoon in Penarth, it’s not so easy. I’ve done this walk hundreds of times so I don’t expect to find anything new but a different camera always has other ideas. Few things in life are as lovely as a large black and white negative fresh out of the wash, shiny and wet offering up its delayed satisfaction.  You know I might even print some in the darkroom.

This is the whole roll of Ilford FP4 processed in Ilford HC for 6:30mins @  22 degrees and then tweaked in Adobe Lightroom.

Walking with a Rollei B35.

Posted in black & white, film, photography, Uncategorized with tags , , , , , , on May 21, 2017 by yammerman

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I took a Rollei B35 for a walk around Penarth. It is a small pocket camera from 1985, which is about as simple as it gets. A roll of film in a tin with a 40mm lens on the front.  Distance focusing with a simple meter. I used my first roll of Kentmere 100 film developed in  Ilford HC (1+31) for 7mins. I rather enjoyed the results.

Antique preset added in Lightroom

Nostalgia on a Roll of Rollei Retro 400S.

Posted in Uncategorized with tags , , , , , , , , , on June 15, 2015 by yammerman

Pic013 There are projects online where people take great pleasure in processing old film that has been left for years sitting in a camera or on a shelf. These are moments in time, waiting to be revealed to a world they could not have imagined.  Young girls that are now old maids, soldiers on tanks their fates as yet unknown, an analogue world pregnant with possibilities.

Then there are those so seduced by the new digital age that, though they shoot film, are actually too lazy to process it preferring the instant gratification provided by the shiny new pixel machines. Not me, of course; I would never allow 10 rolls of film to back up on the shelf for years, convinced that nothing in the viewfinder was of much interest, but merely created because the sound of a shutter clicking is rather pleasant and fondling a film camera is a delight……..well, OK, maybe.

So this is the first roll that’s been through the chemicals,  a three year old roll of Rollei Retro 400S shot while the country was awash with Olympic fever in 2012. I think you’d have to agree that these images capture the true flavour of the spirit that gripped the nation during that heady summer. It’s hard to believe such a remarkable record of nostalgia could remain unprocessed for so long.

The Massive Dev chart reckoned on 22min in Rodinal 1+50 @20degrees  but I always find those numbers too long for my setup and went with 17.5 mins.  They seem to scan a bit better when under developed like this. The only problem is the dust, which drives me nuts and which I get bored trying to clone out.

I give you eight off the roll not because they are any good but because I can. In a world with some staggeringly good photographers, I feel I could claim a niche in the ‘dullness’ movement. I just need to work up my artistic statement and then, look out, Turner Prize.

I feel duty bound to leave no film unprocessed upon my demise as I can only imagine the disappointed faces of the retronauts when they unfurl the rolls from the fix. Scanned and tweaked in Lightroom.

Double Exposure with a Nikon F3

Posted in Uncategorized with tags , , , , , , , , , , on May 10, 2014 by yammerman

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Still in my on-going familiarisation process with the Nikon F3, so I thought it wise to have a look at the manual to ensure I was its master.  I was prompted by the fact that I couldn’t find the self-timer which I was convinced it must possess.  My assumption proved correct as the movement of a lever by the shutter dial does the trick.  I noticed that I could also achieve double exposures with the use of another small switch by the shutter button.   This aroused my curiosity with the possibilities.

This week I set about my annual ritual of oiling the garden furniture which means placing the chairs in two rows in the garden.  Rows of empty seats are familiar to me from my days in no-hoper bands, playing to an indifferent public; so  it occurred to me I could perhaps use these in conjunction with my new found understanding of the Nikon F3 to create some images.

To this end I set about what is recorded in the selection of snaps below.  It’s best not to indulge in too much analysis of what on earth I was thinking, though professional psychologists might enjoy holidays in five star luxury on the fees they might accrue from seeking an explanation.

It is said you should become familiar with just one type of film so, ignoring that advice, I’m on my third different film this week. This time it was Rollei Retro 100 in Rodinal at 20 degrees for 10 minutes.  That’s over 20% knocked off the recommended time but it seems to work for me just fine.  All shot with Nikon 60mm.

 

Tweaked in Lightroom 4 for no other reason than I can.