Archive for photography

Walking with a Rollei B35.

Posted in black & white, film, photography, Uncategorized with tags , , , , , , on May 21, 2017 by yammerman

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I took a Rollei B35 for a walk around Penarth. It is a small pocket camera from 1985, which is about as simple as it gets. A roll of film in a tin with a 40mm lens on the front.  Distance focusing with a simple meter. I used my first roll of Kentmere 100 film developed in  Ilford HC (1+31) for 7mins. I rather enjoyed the results.

Antique preset added in Lightroom

Sunny Afternoon with Nikon D600 and Nikon 105mm F2.8 VR

Posted in photography with tags , , , , , , on May 7, 2017 by yammerman

 

Returning to Analogue with a Leica M3

Posted in photography, Uncategorized with tags , , , , , , , on October 9, 2016 by yammerman

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It’s a long time since the smell of photo chemicals has been upon me but I finally got back in the game after an autumn sort out. I’ve started on a dozen rolls of Ilford HP5+ I’d shot but not processed, just to get my hand back in. These were shot with a Leica M3 and an old 50mm Summicron  ISO400 with a yellow filter.

It may take a few rolls to get in the swing but it’s good to hear the sound of water gurgling. Some of these photos are processed in Adox Adonal and some in Ilford HC, both attesting to their ability to still work after a long period of sitting on the shelf.  I’m not a big fan of the grain but that might be accentuated by the Epson V700 scanner and my ham-fisted processing.

I’ve had problems with dust so I’m trying to find a regime that reduces that to a bearable level.  Dust was the thing that got me using a digital camera most of the time.  I find myself dreaming of a drying cabinet when a shaft of sunlight reveals the dust floating in the air as a wet length of film drys.

Nothing exciting here all tweaked in Lightroom then an Antique preset.

Green Rays with a Nikon D600.

Posted in Uncategorized with tags , , , , , , , , on June 16, 2015 by yammerman

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I took these at Christmas last year when my brother gave me a torch that you can strap to your head and a set of coloured filters. When I thanked him for it he suggested I do some creative photography and so I found myself in the cold dark garden, my blood alcohol levels reasonably high with my newly acquired Nikon D600 and a tripod.

I used two Nikon lenses, a 24-85mm zoom and a 60mm macro on manual and inevitably slow speeds, just to see what I could produce.  It took a while to figure out how to get anything interesting but eventually I started to like the movement effect I was getting. Thankfully the neighbours remained unaware of my cavorting in the darkness with a light strapped to my head and eventually handheld for better control.

The Green Flash is a phenomenon seen after sunset or before sunrise when a green spot or flash is observed above the sun or as a flash from the sunset point. It is caused by the atmosphere separating the sun’s light. A rare optical occurrence, it has been used by a few artists including Jules Verne in his Green Ray  novel,  Eric Rohmer in his film of the same title.

In Jules Verne, the Green Ray is missed because the hero and heroine are too busy staring in to each other’s eyes. I guess this is the kind of thing Tim Hunt was musing on when ‘joking’ about women in science. There is no truth in the rumours that, in Verne’s sequel, the lovers later separated due to the constant bickering over whose fault it was that they missed that damned Green Ray.

In Rohmer’s film, the heroine Delphine is having trouble in the dating game until she over hears  a conversation about Jules Verne’s book and learns  that ‘when one sees a rare green flash at sunset – our own thoughts and those of others are revealed as if by magic’.  I think I saw the film 20 odd years ago, so *spoiler alert*: Delphine finds her man; they see the Green Ray; and, I guess, live happily ever after.  I suppose this is as sound as any other method for choosing a mate but, if it doesn’t work out for you, don’t come a looking for me.

I think my own Green Ray reveals me as a dyslexic Mekon with a bad case of camera shake – smart ladies will choose to move on.

Nostalgia on a Roll of Rollei Retro 400S.

Posted in Uncategorized with tags , , , , , , , , , on June 15, 2015 by yammerman

Pic013 There are projects online where people take great pleasure in processing old film that has been left for years sitting in a camera or on a shelf. These are moments in time, waiting to be revealed to a world they could not have imagined.  Young girls that are now old maids, soldiers on tanks their fates as yet unknown, an analogue world pregnant with possibilities.

Then there are those so seduced by the new digital age that, though they shoot film, are actually too lazy to process it preferring the instant gratification provided by the shiny new pixel machines. Not me, of course; I would never allow 10 rolls of film to back up on the shelf for years, convinced that nothing in the viewfinder was of much interest, but merely created because the sound of a shutter clicking is rather pleasant and fondling a film camera is a delight……..well, OK, maybe.

So this is the first roll that’s been through the chemicals,  a three year old roll of Rollei Retro 400S shot while the country was awash with Olympic fever in 2012. I think you’d have to agree that these images capture the true flavour of the spirit that gripped the nation during that heady summer. It’s hard to believe such a remarkable record of nostalgia could remain unprocessed for so long.

The Massive Dev chart reckoned on 22min in Rodinal 1+50 @20degrees  but I always find those numbers too long for my setup and went with 17.5 mins.  They seem to scan a bit better when under developed like this. The only problem is the dust, which drives me nuts and which I get bored trying to clone out.

I give you eight off the roll not because they are any good but because I can. In a world with some staggeringly good photographers, I feel I could claim a niche in the ‘dullness’ movement. I just need to work up my artistic statement and then, look out, Turner Prize.

I feel duty bound to leave no film unprocessed upon my demise as I can only imagine the disappointed faces of the retronauts when they unfurl the rolls from the fix. Scanned and tweaked in Lightroom.

The Wisdom of David Hurn

Posted in Uncategorized with tags , , , , , , , , , on November 30, 2014 by yammerman

 

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Having been to a lecture by Magnum photographer David Hurn this week and inspired by his story and wise words, it was only natural that I was eager to put this new found knowledge into practice.  It was fortunate then that my good friend and fellow photo enthusiast Paul Williams was due a visit this weekend.  On Saturday morning, I suggested we head down the coast to the wetlands near the Aberthaw power station and mine its rich seam of photo opportunity.

To David Hurn it is all about subject matter and it is this that great photographers talk of when they chew the fat.  It is not about the gear or highfalutin artistic concepts, but what would make a good subject.  For him it was the Hungarian Revolution in 1956 when he found himself one of the few photographers who made it on to the streets of Budapest.  He learnt to follow the journalists and photograph what they found – thus his name was made.

He talks as you would expect from a man who has survived and prospered in the tough world of commercial photography.  His passion is clear, as at eighty he was still able to hold forth and enthrall for over two hours.  He put up a list of the friends who had slept on his floor in the sixties and it read like a list of photographic icons.

He recalled  how he found his ‘tinsel town’ niche in 60’s magazines and the importance that networking and luck had played in his life.  And how he was asked to do the stills for a small film which happened to be Dr No, the beginning of the James Bond franchise.  He realised that success came from hard work and the instinct to come up with a subject that might excite a Picture Editor.  He had a brief period taking fashion shots while also working for magazines like Nova and Holiday.  He reminded the many students in the audience that WH Smith still has over 3000 magazines on sale.  He also suggested thinking globally about where your work might sell; his own work with the Nursing Times has been used in over nine countries.

He spoke of those photographers now regarded as artists who were just trying to make a living when they did their great work.  His best advice though was that photography was simply made up of two things – first where you stand and second when you push the shutter; get those right and the rest will follow.

He believes that the greats in any field need not fear the constriction of a brief but be able to satisfy its demand while maintaining their own unique authorship.  His advice was not to copy anyone but find your own vision and learn from the great, especially their contact sheets.  It is from them you will learn how they came to capture that great image.  It is rarely with one shot, but with a chosen background worked at over several frames until by luck or judgement the elements come right in the frame.  It was a marvelous talk, possibly his last in the UK, and I feel privileged to have been in the audience.

The wetlands proved not to be the rich seam I had hoped, but Paul and I spent a pleasant couple of hours clicking away.  We then returned for lunch on Penarth Pier and a visit to the rather wonderful Ragnar Kjartansson  ‘The Visitors’ installation at the Turner House Galley.  I highly recommend the installation though my photographs might suggest it’s not for everybody.  My own ‘something and nothing style/organising the chaos’ should, I feel, keep me safe from the pressures of commercial photography for a while yet and I’m ever hopeful that one day I’ll figure out where to stand and when to push the shutter.

Fuji XPro-1 with 35mm F1.4 and tweaked in Lightroom

 

Holiday with a Teenager in North Wales with a Fuji X Pro 1

Posted in Uncategorized with tags , , , , , , , , , , , on August 27, 2014 by yammerman

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We headed north on our summer holidays this year to visit the tribes of North Wales.  The idea was to visit Anglesey, a place we had been denied access on a previous visit by an over turned lorry.   The selected accommodation in Criccieth looked great in the online pictures and on this occasion the photos did not lie.  The place was huge and immaculate with stunning views of the sea.  Our hooded teenage monster grunted his approval and thrust his tablet at me and demanded wi-fi which, as any parent knows, is as important as oxygen to the young these days.

A first day walk along the beach set the pattern for the holiday with demands for me to calculate equations of distance v time, to which the apparent answer is framed in units of misery.  We set off walking on sand, my objective a rocky promontory in the far distance.  The mood was only enhanced by the rhythmic chorus of ‘Can we turn back now?’.   It was with great joy that we reached our way point only to discover that the incoming tide had pretty much covered the sand and we were forced to return on pebbles.

Why no one has not yet come up with an exercise machine based on such a surface I know not – or rather I do, it’s because it really is not very pleasant.  As we trudged back, the percussive sounds of our footsteps were accompanied by a chorus of ‘I told you so’ and adoption of a stick as a weapon.  I can’t entirely blame the boy as it is in his DNA; I remember his mother selecting similar tactics on a beach in Australia many years ago.  If one day, I should not return from a family outing and the reason given is that I accidentally fell off a cliff edge, a pier or into a river, I urge that the witnesses are questioned closely.

I thoroughly enjoyed the holiday, though it followed much the same pattern for the remainder of its duration.  The boy was dragged to Anglesey, Port Merion, Criccieth Castle, Beaumaris Gaol, the National Slate Museum and any number of fine beaches.  My wife and I loved the Llŷn Peninsular and the magnificent house we stayed in – wish that it was for sale.

The highlight of the holiday though was when we stopped for supplies in Criccieth and, rather than shop, the boy selected to stay in the car.   Now I swear this was an accident but, as I retrieved some bags from the back of the car, I closed the boot and automatically locked it, setting the alarm.  My wife and I then spent a pleasant 15-20 minutes perusing the High St until our return to the car where to my surprise the hazard lights were flashing.  Upon unlocking the car, a rather disgruntled teenage boy asked ‘Where the hell have you been?’  Apparently the alarm went off four or five times and he’d discovered you have keep very, very still to avoid tripping it. The family sitting on a bench nearby eating ice-creams seemed remarkably unconcerned and really I hardly laughed at all.

We might give the boy a break from holidays next year if he does well in his exams, oh and I love him really.  Anyway here are some snaps taken with an Fuji X Pro -1 and toned with an Aged Photo preset in Lightroom